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A new edition of Miguel de Cervantes’ 17th-century novel Don Quixote, which sees the classic story of the would-be knight errant adapted into modern Spanish, might be making waves in Spain, but Don Quixote scholar Ilan Stavans has said that Andrés Trapiello’s new version is needed if Spaniards are to keep on reading one of their country’s most celebrated works of literature.
Trapiello’s Don Quijote de la Mancha, which “faithfully” and “in full” adapts Cervantes’ 17th-century vocabulary into contemporary Spanish, was ninth on the Spanish bestseller list in late July, according to AFP. But it has also caused controversy, with Madrid academic David Felipe Arranz describing it as “a crime against literature” to the AFP last week, adding: “I ask the booksellers in Madrid and they tell me no one buys Cervantes’ original novel anymore because readers prefer the ‘light’ version … you cannot twist the flavour of the words of the greatest writer in our language.”
“Nothing upsets Spain more than people – often, its own people – meddling with Don Quixote,” admitted Stavans, the Lewis-Sebring professor in Latin American and Latino culture at Amherst College in the US. But Stavans pointed out that Trapiello’s adaptation of the novel follows the bestselling author Arturo Pérez-Reverte’s abbreviated edition from the Real Academia Espanola last year, and said it was a necessary development.
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“Why did the RAE embark on it? Because if it doesn’t do something about people not reading Don Quixote, the institution itself will become irrelevant,” he said. “As a result of a number of factors, including school curriculum changes, young people in Spain aren’t reading. The thermometer is Don Quixote and it has been abandoned … My own impression … is that nine out of every 10 people who read Cervantes’s novel today are outside Spain. And a large portion of those readers access it in translation.”
Stavans, who has written the introduction to a forthcoming new edition of Don Quixote in English for Restless Books, as well as the forthcoming Quixote: The Novel and the World, said that while it “isn’t true that Spanish readers can’t understand Cervantes’s language”, with the language ageing less than English over the last 400 years, “by which I mean that Shakespeare is harder to understand today than his contemporary Cervantes”, a new version was still required.
“Was there a need for a modern translation, then? Of course there was. Shakespeare is updated, adapted, modernised, and otherwise rewritten all the time and nobody makes a fuss. Those approaches, in my eyes, are a tribute, a celebration, an acknowledgment of the enormous debt we owe him,” said the scholar, drawing parallels between the situation in Spain and the uproar that greeted an Alabama publisher’s excision of the word “nigger” from Mark Twain’s The Adventures of Huckleberry Finn.
“Its rationale was that in the States young African Americans weren’t reading the book because it is offensive to modern sensibilities. Intellectuals and the media vilified the effort. The publisher responded rather intelligently by saying that the project wasn’t about censoring Mark Twain’s novel but about making it more available,” said Stavans. “That, I think, is what Andrés Trapiello is doing.”
Trapiello’s edition is introduced by Nobel literature laureate Mario Vargas Llosa, who writes that the new version “rejuvenates” Cervantes’ novel, while allowing it to remain itself. Many readers, said Llosa, are discouraged from reading Don Quixote from beginning to end because of the “antique vocabulary” and the scholarly footnotes. But after enjoying Trapiello’s version, he adds, they might feel encouraged to tackle the original text.
With Don Quixote translated into 145 languages today – Restless Books’ new edition, which marks 400 years since the second volume was published, uses John Ormsby’s version – Trapiello told the AFP that it was a “paradox” that foreign readers could enjoy the novel “without any problems” in translation, “but Spanish-speaking readers can’t understand half of it unless they read it with notes”.
John Rutherford Singer
“There are a great many people who have not read it or who have given it up several times because it is so hard,” he told the agency. “They are obliged to read it in language that is not understood nowadays. They make you read it at school and lots of people have bad memories of that.”